
proximity installation

untitled 15, archival pigment print 2022

untitled 16, archival pigment print 2022

proximity installation

untitled 05, archival pigment print 2021

untitled 04, archival pigment print 2019

untitled 10, archival pigment print 2022

proximity installation

proximity installation

proximity installation

untitled 14, archival pigment print 2022

untitled 12, archival pigment print 2022

untitled 11, archival pigment print 2022

untitled 03, archival pigment print 2019

untitled 07, archival pigment print 2022

untitled 08, archival pigment print 2022

proximity installation

proximity installation

untitled 09, archival pigment print 09

untitled 13, archival pigment print 2022

untitled 01, archival pigment print 2020

untitled 06, archival pigment print 2021

untitled 02, archival pigment print 2020
proximity
In FOYER-LA’s current project, proximity, Connie Walsh explores the tension between intimate and inaccessible spaces. The viewer crosses a threshold onto a plywood floor raised fifteen inches off the ground: a pedestal for half spherical ceramic sculptures that contain hidden voids. These sculptures, of varying shades of tan, seem to float with weight above the surface in clusters. Both the architectural intervention and the placement of the photographs shifts the viewer’s relationship to an implied horizon. The images themselves compress or disorient space, holding the viewer in a suspended moment of intimacy.
Zing Magazine Interview by Jane McFadden
Pigment prints, ceramics, plywood, 2022